Justus-Liebig-Universität GießenInstitut für Angewandte Theaterwissenschaft
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Der Mann mit dem Tornister


The audience perceives the songs of the last century on the proscenium stage within the greatest possible distance of the uppermost and very back theatre balcony. Great emphasis lies on the production of images, that have their full effect only from the birds perspective. The embedment in a sourround-environment intensifies the theatrical play of closeness and distance.